Paramount Home Entertainment has officially announced the first major summer movie on DVD, and trust me when I say this will be worth the money. Yes, Iron Man will arrive on shelves this September 30 in a 2-disc Ultimate Edition on both DVD and Blu-ray (the war is over, so I trust you've upgraded by now). There will also be a single disc for those not interested in the ridiculous amount of special features, but something tells me those types of people don't hang around Cinematical much. Okay, here's what we're looking at:

The IRON MAN Ultimate Edition two-disc Blu-ray is presented in 1080p High Definition with English 5.1 Dolby True HD, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, English SDH, French, Spanish and Brazilian Portuguese subtitles. Bonus features include:

Disc 1:

· Hall of Armor
The Invincible Iron Man (HD)
-- Origins
-- Friends & Foes
-- The Definitive Iron Man
-- Demon in a Bottle
-- Extremis and Beyond
-- Ultimate Iron Man
Deleted/Extended Scenes (HD)
BD Live:
-- Iron Man IQ

Disc 2:

· I Am Iron Man (HD)
-- The Journey Begins
-- The Suit that makes the Iron Man
-- The Walk of Destruction
-- Grounded In Reality
-- Beneath the Armor
-- It's All in the Details
-- A Good Story, Well Told
Wired: The Visual Effects of Iron Man (HD)
Robert Downey Jr. Screen Test (HD)
The Actor's Process (scene rehearsal with cast) (HD)
The Onion "Wildly Popular Iron Man Trailer to be Adapted into Full Length Film" (HD)
Theatrical Trailers (HD)
Image Galleries

Regular DVD special features after the jump ...

UPDATE: Variety confirms today that Brad Pitt has officially signed on to star in Tarantino's Inglorious Bastards. In the flick, Pitt will play a "Tennessee hillbilly who assembles a team of eight Jewish-American soldiers." Eli Roth and BJ Novak are also signed on to star.

Originally posted July 7, 2008 ...

Quentin Tarantino is wasting no time getting Inglorious Bastards into production -- it may make Cannes 2009 after all! He's aiming now for an October shoot, his screenplay is apparently done, it's out to studios for financing, and now all he needs is his cast.

As of yet, there have been no official casting announcements, but according to The Hollywood Reporter, rumors are currently circling Brad Pitt's name. Frankly, the thought fills me with delight! Pitt does his finest work in edgier fare, and an appearance in a Tarantino-helmed movie (remember he played a role in True Romance, off a script written by Tarantino) seems long, long overdue. It would also bring his eerie career synchronicity with George Clooney full circle, wouldn't it?

The biggest question seems to be his schedule, which is jam packed with new babies, movies ( three of which he's starring in, eight that he is producing), publicity obligations, and his charity projects. I mean, he's trying to help rebuild New Orleans! Can he fit Inglorious Bastards in? October is not that far away.

Tarantino standbys Tim Roth and Michael Madsen have long been unofficially attached, and I have no doubt they'll make it legal before too long. I'd would love to see Harvey Keitel make an appearance too. And to have Pitt in the inglorious bunch seems so right.

If there's one movie descriptive that can actually get my jaded heart racing, it's "in the style of L.A. Confidential." Sure, it's glib, and probably sells the potential film and its source material short, but I can't help it, it's a magical phrase. And The Hollywood Reporter (by way of Lakeshore Entertainment) used it to describe Barry Levinson's latest movie.

Levinson is set to direct an adaptation of Peter Dexter's novel Train, a story set in 1950's Southern California. It centers around Miller Packard, a white sergeant in the San Diego Police Department, who has little time for the hypocrisy and racism of his age. An avid golfer, he befriends a troubled young African-American caddy named Lionel "Train" Walk, who harbors knowledge of an unreported murder that haunts his past. The city politics and racism of the 50's surround the murder investigation, and threaten their friendship.

Dexter's books have been popular in Hollywood recently -- he was the pen behind Mulholland Falls and The Paperboy is currently in production with Paul Verhoven and Jan de Bont. Unlike with Falls, he won't be penning the script this time around. That job falls to Allison Burnett, who's a pretty popular writer at Lakeshore, adapting Fame and penning Untraceable for them.

Hopefully, a Cinematical reader or two can chime in on the book. From its reviews, the source material sounds pretty enticing. Here's hoping this can not only be a comeback for Levinson, but a noir rival for L.A. Confidential.

The new Rolling Stone hits stands tomorrow, and as you can see to the right it's featuring the one and only Iron Man, Robert Downey Jr. The cover is fairly creepy -- the orange hoodie calls to mind the actor's struggles with the law during a time when they're quickly becoming a fading memory in the shadow of his rampant, mainstream fame. He says that he's in a "transition phase, I really am trying to live as much like a lizard as I can. Hot, rock, sun, fly, tongue."

Yet he's still Downey. You can read an excerpt of the interview at Rolling Stone, but there's one charming analogy I wanted to share. Talking about his busy present, he notes that he has to be mindful of the past and says:

"I'm such a work in progress at the moment, it's crazy, and life wants me on edge, I swear to you. But as long as I don't forget the past, I'm cool. One must always be mindful, just like you might forget that old girlfriend who tried to slit your throat, but she's really still hot. If you remember the stitches more than you remember the pussy, you're going to be just fine."

That's Stark all right. Hopefully he remembers the stitches.

[via Just Jared]

The franchise reboots may never end. According to ComingSoon.net (who spotted it on TrackingB.com), Shane Black has written a spec script for Lethal Weapon 5 without really telling anyone but Joel Silver.

The story would center around Riggs' impending retirement (and his, undoubtedly, being too old for ... well, you know). But before he leaves the force, he has to tackle one last case, and as there are no other police officers in Los Angeles, he hauls Murtaugh out of retirement to help him. Allegedly, both Mel Gibson and Danny Glover are interested, though no deals have been signed.

Now, I name drop Lethal Weapon enough that you undoubtedly know that the series ranks much higher in my life than it probably should. Watching it in my pre-teens not only taught me a choice vocabulary, it rocked my world with glimpses at a naked Mel Gibson. My problems with men probably stem from the pedestal I have placed Martin Riggs upon.

But, that doesn't mean I want a fifth movie -- I already sat through the fourth installment, and it wasn't that good. Black has penned some fantastic scripts in his time -- and I firmly believe A Long Kiss Goodnight is insanely underrated -- and I'd love to see him churning out action-comedies again. But not ones with Riggs and Murtaugh. Let Lethal Weapon lie, and write a franchise that can give us a new badass or two. Check out the video below of Seth Rogen and James Franco discussing Shane Black's movies from Moviefone's latest Unscripted chat...

First we had Sarah Silverman singing about f*cking Matt Damon, then Jimmy Kimmel had his turn with Damon's BFF, Ben Affleck. Now we have something even better: octogenarian actress and Academy Award-winner Cloris Leachman (who still looks damn good, thank you very much) getting all raunchy at a Comedy Central roast for Bob "Full House" Saget, threatening to get it on with "pretty boy" John Stamos on a "filthy bean bag chair" while using her Best Supporting Actress Oscar as a strap-on. There's a mental picture that'll take weeks to get out of your brain cells.

Maybe it's just the hilarity of seeing the stately Leachman talking about going after Stamos -- or perhaps even Jon Lovitz -- and then segueing seamlessly into a bit about performing a "reach-around" on Jack Benny that makes this so funny. I can't imagine it would have the same impact being said by, say, Tilda Swinton or Cate Blanchett. Anyhow, Leachman was way funnier than all the lame jokes about Saget having sex with the Olsen twins. She's still got it -- now, if only Tarantino would cast her in something as an ass-kicking, foul-mouthed granny ...

Thanks to Chris Campbell for blogging about this over on Spout yesterday.

Helena Bonham Carter gave a few hints on her surprising Terminator: Salvation role to Sci-Fi Wire -- and surprise surprise, it's not a cuddly one! "I kind of play a baddie, definitely a baddie. I don't know how much I'm allowed to say, but I'm a very bad person."

Now, I know there's readers out there who are more up on their Terminator mythology than I am (and it feels weird to even refer to it having a mythology), but were there bad humans? Turncoats who helped the machines? Evil scientists from Skynet? I feel certain this was discussed somewhere in a Kyle Reese monologue, but I may just be filling in gaps. Of course, Bonham Carter could be playing a Terminator (Summer Glau has proved you can be tiny and lethal), but I'm trying to keep all options open.

Given Bonham Carter's late in the game casting, it turns out she was replacing another actress -- Tilda Swinton, who I now want to pop up as a Terminator at some point. (I think I would instantly surrender.)

As for Bonham Carter's own interest, it turns out it was all due to her other half. "Tim [Burton] would have killed me if I hadn't done it, because he's such a Terminator fan. I've been in big movies before ... but I've never been in this kind of big popcorn action movie, a male one, an action one." And honestly, I like that she is in one. I continue to be amazed at the talent who has been attracted to this film, and like the rest of the world, I'm excited to see what becomes of it.

Terminator: Salvation opens May 22, 2009. We must try not to get overdosed on it ... and that's going to be really hard.

This is all casual talk, occurring over beers at the Hard Rock Hotel (oh, to have been at the bar next to them), but it's a fun bit of rumors and dream casting nonetheless.

Geoff Boucher of the LA Times' Hero Complex blog chatted up Jason Statham and Frank Miller on, of all things, Daredevil. The three started talking about a potential reboot of the character, with Statham taking on the role of Matt Murdock. The hard-hitting Brit is excited at the very prospect. "Absolutely, just give me the chance, I would love to be Daredevil." (The emphasis is all Boucher.) In fact, when Boucher suggested he'd make a better Bullseye, Statham looked as though he'd hit him with his pint glass. "Forget Bullseye, I want to be Daredevil!"

Miller thinks he should be Daredevil too -- and apparently got quite quite a twinkle in his eye at the very thought of another movie. That's not surprising, since the character made his career, and I could see him ushering a Daredevil reboot into gear sooner than penning a sequel to 300. (At least, that's what I hope and dream would happen.)

So, what do you guys think? Would Statham be a good fit for the Man Without Fear? As I could watch Statham in just about anything, I'm too biased to judge. (He's got the right jawline for the mask!) I also haven't read as much Daredevil as I should; I have the misfortune of always encountering him as a secondary or background character, so I don't have a very good feel for him. But I like the idea, if only so I could get the Elektra reboot of my dreams.

Now this is the kind of offbeat casting you expect out of Quentin Tarantino -- except that, really, it's not that unusual for him to cast his pals, so it makes a guy like Leonardo DiCaprio an edgier pick. Oh, that crazy Tarantino!

According to Variety, Eli Roth is set to play Sgt. Donnie Donowitz, "a baseball bat swinging Nazi hunter" in Tarantino's already much-discussed Inglorious Bastards. Brad Pitt is still "in talks" for Aldo Raine, but it would be a shocker if it wasn't official. Pitt and Roth, together at last, the pair-up the world never knew it wanted.

DiCaprio has gone from "in talks" to "eliminated." He was being considered for the part of SS Col Hans Landa, but Tarantino has decided that part should be played by a real live German. This is probably a good idea, as the last thing any film needs is a wonky accent. I do find it funny that when it comes to accuracy, this is one movie that is determined to have a real German, as opposed to the dozens of films that ignore portraying race, ethnicity, and culture!

The cast is expected to be formalized shortly, and filming to begin in Europe this fall. Given that Tarantino is looking to his friends to fill the empty slots, I am still betting Tim Roth and Michael Madsen will pop up somewhere. Who else do you expect to pop up in Bastards, readers? And what do you think of Roth's addition?

By now, we've all heard about the woes of THINKFilm, and how it has affected a myriad of filmmakers, from Alex Gibney suing over the company's treatment of Taxi to the Darkside, to David O. Russel's Nailed getting nailed over and over again. If you missed some of this, click here.

Now THINKFilm head David Bergstein has talked about the drama with The Hollywood Reporter, and he seems to be on a different planet than the rest of us. Check out the following quotes:

"There is always an adjective that precedes us: 'Beleaguered,' 'financially distressed,' and none of these people know anything."

"Our business plan is not so much about the movie business. It's really to build a global digital distribution business. It's based on the expectation that in the not too distant future most content will be delivered digitally and on-demand."

"Some of what is out there is true. The vast majority is not true. And for the stuff that is true, my answer is 'So what? So what if X, Y, or Z might be owed money?"

What a stellar attitude to have. I imagine those filmmakers and films attached to THINK are feeling all sorts of special and secure with that attitude guiding them. Check out the THR link for more particulars on the insanity.

At least once every month -- and especially during the recent Apatow craze -- my friend and I briefly discuss the heartbreaking awesomeness that is The Last American Virgin (1982). Not only does this film feature one of the greatest soundtracks in movie history, but also included is this vicious tonal shift that sticks with you (in my case, for years and years ...). The flick came up once again in a conversation the other day, and only two hours later we received an email from a dude who wrote up a solid piece on the history of the Israeli teen sex comedy series Last American Virgin is based on, beginning with the one and only Lemon Popsicle (or Eskimo Limon) as it celebrates its 30th anniversary.

Consisting of nine different films, the Lemon Popsicle series is kinda like the American Pie series here in the states, except the former always focused on the same three guys and whatever horny misadventure they found themselves in at the time. Some suggest Lemon Popsicle inspired Porky's (released the same year as LP's American remake, Last American Virgin) -- which, of course, helped inspire the teen sex comedy genre going forward -- and there's no denying its influence on the future of the teen sex comedy; the pop-centric soundtrack, the awkward set of friends (fat guy, cool guy, nerd formula), the story beats (losing of virginity) and so on.

If you're a fan of the genre (and a lot of us are), definitely check out Oren's article, How To Stuff A Lemon Popsicle, over at Films in Review. What do you think? Without Lemon Popsicle, do you think we'd have films like Superbad?

Despite a lack of any real range, Mark Ruffalo is one of my favorite actors -- it's just so easy to identify with the affable schlub character he's made his forte. He's always seemed like a smart guy -- he's made smart choices -- so I'm looking forward to his just-announced directorial debut, the bizarrely titled Sympathy for Delicious. Ruffalo will co-star with James Franco and screenwriter Chris Thornton.

It's hard to know what to make of the premise. "Delicious" is actually the name of a DJ, played by Thornton, who becomes paralyzed and apparently homeless in Los Angeles. He toys with faith healing and discovers the ability to heal people (though not himself), which makes him famous. Ruffalo plays a Jesuit priest who tries to help him; Franco a rock star who tries to exploit him."

I believe we're talking about this Chris Thornton, whose most significant credit is a part in Pretty Persuasion, and who is handicapped in real life following a rock-climbing fall. The all-seeing, all-knowing IMDb claims he's best friends with Ruffalo. The movie sounds like something that might get trapped in the festival circuit, though we'll see -- Franco's presence might help.

Sympathy for Delicious shoots this fall.

Bill Lobdell, longtime writer and editor for the Tribune-owned LA Times and its subsidiaries, has an excellent, insightful piece up on his new blog titled "42 Things I Know," outlining why exactly he left his cushy corporate job and what's wrong over at the LA Times. Much of what Lobdell has to say is pretty much what those of us who work in new media have been saying for a long time now: that print media (in particular, the overfed layers of managers who spend most of their days having meetings about meetings so they can plan more meetings, thereby justifying their spendy salary-and-benefits packages) don't know what the hell they're doing when it comes to the real world in the age of the Internet.

The most telling of Lobdell's "42 Things" are the following:

Newspapers were unbelievably slow in embracing the Internet, even though younger reporters have been pleading with their bosses for years to embrace the Web.

Amazingly, it took until 2005 for top editors at The Times to realize the Internet not only wasn't going away but might lead to the demise of newspaper.

Prior to that, the Internet operation at The Times was used as a place to hide reporters and editors who had fallen out of favor.