When Stephen Frears' The Queen came out in 2006, all the buzz emphasized Helen Mirren's icy performance as London's reclusive royal highness. The ubiquitous praise lead to her Oscar win, but it overwhelmed recognition of the movie's secret weapon: Michael Sheen as Tony Blair, quietly pressuring his Majesty to face the public in the wake of Princess Diana's untimely demise. There's a reason why Sheen conveyed the nuances of Blair's role in the event, which transpired a mere three months after the Prime Minister rose to power -- he had practice. The Deal, a fantastic made-for-TV movie Frears directed in 2003, tracked Blair's cunning (and morally questionable) instincts in the years leading up to his position at the top of the Labor Party.

Sheen played Blair in The Deal first, and it's both a superior performance and a superior film. Whereas The Queen had a tabloid hook and only tangentially explored the deeper political ramifications of a reclusive national leader, The Deal delves into precisely how Blair managed to emerge at the top of British politics with a series of calculated maneuvers. Political drama at its finest, The Deal hit DVD in the United States last month, where it has been touted as "the prequel to The Queen." That's not quite fair; The Queen is the sequel to The Deal, and the two movies ought to be seen as a single, wholly fascinating package depicting British politics in the 1990s.

Each day seems to bring us yet another piece of promotional marketing for Oliver Stone's Bush flick, W. Not long after Moviefone debuted the trailer, AICN now has a teaser poster and what you see above is one of two newly-released images from the film. They're definitely pimping it, trying to get folks interested in a movie about the life and times of George W. Bush even though many of us are tired of the man, the jokes, the legend -- all of it. We've spent 8 years with this dude ... can't we just shake his hand, thank him for a job done and move on?

Anyway, W (which feels like it was shot and edited in three weeks in order to make a pre-Election Day release date) arrives in theaters on October 17, and we were wondering how much you think it's gonna make? With one of the biggest presidential elections in years only a couple weeks away from that date, and with the entire world watching to see who we'll replace Dubya with, will all that chitter-chatter raise more or less interest in the Oliver Stone movie? Is this the kind of flick that will surprise everyone with a giant taking, or will it crash and burn? Sound off below ... and we'll revisit your answers in a couple months when W rolls out.

What with the firestorm over John McCain's ad calling Barack Obama a hollow celebrity akin to Paris Hilton and Britney Spears, you'd think someone would have pointed out that McCain actually has Obama beat in the "number of Hollywood movies appeared in" category. Here's a video -- unearthed by Movie Moron via SlashFilm -- of John McCain's amusing cameo in Wedding Crashers, shaking hands with Christopher Walken's remarkably well-connected Secretary Cleary at his daughter's wedding. And yes, that's James Carville next to him, but Carville shows up in everything.

Just a bit of harmless fun for McCain or despicable participation in a BOOB RAUNCH FEST? You be the judge.

Also: Number of cameos on 24: John McCain: 1; Barack Obama: 0. You can check that video out over here. What's that old saw about glass houses?

It must be a horrible, wonderful thing to be a movie star in this modern age -- rewarded and yet tightly caged by the public's perception of you. Stay within the expectations of the ticket-buying public, and you're likely (or, more accurately, more likely) to not fall off the public's radar; at the same time, that gilded cage must, at some point, feel more and more like a prison. I mention this in talking about Swing Vote because Kevin Costner manages a somewhat nifty trick in his performance as Bud Johnston, a New Mexico ne'er-do-well who, thanks to a close-fought election and a voting machine error, gets to pick the next president. Oh, sure, we all do that on voting day -- but, due to a electoral college tie and a tie in New Mexico, it turns out Bud's vote will be the deciding one. For, well, everyone. Before this is established by Jason Richman and Joshua Michael Stern's screenplay, though, we get a sense of Bud -- and, at first, Bud seems like another in a long line of Kevin Costner likable rascals from Bull Durham's Crash Davis to Tin Cup's Roy MacAvoy. But Bud is something more interesting -- a man whose charm can't quite cover up the holes in his soul. Bud's a drunkard. Bud's lazy. And if it weren't for his daughter Molly (Madeline Carroll), Bud would be even more adrift and frayed. Early, Bud tells his civic-minded daughter that " ... voting doesn't count for a goddamn thing." Bud's the kind of guy who's wrong a lot -- and he knows it -- but, thanks to the gentle contortions of Swing Vote's plot, never more so than now.

There's good news and bad news, Soderbergh fans: The bad news is that the director's two-part, Benicio Del Toro-starring Che Guevara biopic Che, as noted in a recent piece in The Hollywood Reporter, still doesn't have a U.S. distributor. Gregg Goldstein's piece (which also looks at the similar challenges faced by Cannes '08 films Synedoche, New York and Two Lovers) notes that there are four offers on the table from independent distributors, but no deal has yet been signed.

For many who saw Che at Cannes (including myself), this is vexing news. Goldstein also relates that one distributor's hopes to purchase Che as a single film with a three-hour running time has been roundly rebuffed. However, in case anyone would like to see what all the fuss is about -- albeit in blurry, bootleg fashion -- a grainy, blurry bootleg of the trailer (in all Spanish with no subtitles) for the first half of Che, The Argentine, has hit YouTube (see above) -- and while the bootlegged trailer may lack clarity and definition, it also gives a great sense of the look and the feel of the film.

Does The Argentine's trailer make you hunger for all of Soderbergh's Che? Or does it just make you appreciate how hard it's going to be to get a distributor to back a four-hour long historical drama in Spanish?

The basic scenario behind Swing Vote makes for an easy pitch: An average American (Kevin Costner) winds up in the position of casting the deciding vote in a presidential election. Both candidates (played by Kelsey Grammer and Dennis Hopper) fly into town and try to woo him. It's a simple premise clearly aimed at exploring the various quirks of the political process. However, although it is quite a fantastical situation, the filmmakers have put quite an effort into incorporating at least one element from the real world: News anchors. Countless movies have asked Jay Leno and his fellow late night brethren to make cameos on TV joking about this or that bit of plot to add a sense of realism, but Swing Vote brings a slightly different set of rules to the table: The presidential candidates are clearly fictional (and Grammer, the Republican candidate, doesn't have many Bush-like qualities), while the news anchors, for the most part, play themselves. If you ask me, something doesn't quite add up here.

Chris Matthews blares into the camera about the ramifications of the election snafu. Tucker Carlson follows suit. Larry King delivers his trademark monotone. And Arianna Huffington gets a full-blown monologue. How is it that all these people can play themselves in a world with a completely different president, one virtually devoid (as far as we can tell) of modern talking points like the Iraq War and the beleaguered economy? It's almost as if they've been imported from another dimension.

One time's shocking boundary-breaker is a future time's child's play. That's just the way things go. What shocks us one day will usually become common place (or at least not controversial) at some point in time. But some towns, they know how to be stubborn.

According to the BBC, it seems that a little UK town called Aberystwyth really doesn't appreciate Monty Python's Life of Brian, and it's been banned for the last 29 years. But that's not the kicker -- one of the actors in the film is now the mayor. Sue Jones-Davies, who played Judith Iscariot/Brian's girlfriend, is now the mayor of the town and is on a mission to get the ban lifted.

Meanwhile, Reverend Stuart Bell is completely against the idea, claiming that every Christian he talks to in the town wants the ban upheld. He then goes on to talk about how he loves Jesus more than his wife and how he wouldn't go see a film that makes fun of his wife either. Of course, he's never seen the film (just "a small clip, that's all").

Will Mayor Sue be the town's Kevin Bacon? We'll have to wait and see.

Death is the ultimate dramatic device, but great art doesn't emerge from strong devices alone. In Take, the directorial debut of Charles Oliver, the impact of a single, startling tragic death immediately conveys the sense of watching a gravely serious movie, which is definitely the case. However, having immediately provided a tone, Oliver fails to follow up with a story powerful enough to justify it. That's not to say that the experience Ana (Minnie Driver) goes through after her son dies in a freak accident before the start of the film isn't relentlessly bleak, but there's hardly anything distinctive about the circumstances to make viewers care any more than they would if they were glancing at it in the morning headlines.

Still, Olilver has made a quietly observant work solely driven by the specific needs of two downtrodden protagonists with completely believable motives. In flashback, we learn that Ana struggled with her son's elementary school, which wants to put him in a special needs program. Meanwhile, she has a hard time communicating with her husband and finding decent work to get by. Elsewhere, reckless gambling addict Saul (Jeremy Renner) destroys his life in a whirlwind of debt. His misfortune, as it's shown in early scenes at a prison where Saul awaits execution, will lead him to accidentally murder Ana's innocent child, Jesse (Bobby Coleman).

And you thought Wall-E was political. JibJib, the interactive e-card site founded by brothers Evan and Gregg Spiridellis, have returned to the scene that originally brought them fame. The duo first received national notice during the 2004 presidential campaign, when their riotous spoof This Land presented the two candidates (and a variety of secondary players) as rotund heads on animated bodies spouting rhetoric in rhythmic harmony. Since then, the JibJab site has placed more focus on the e-card business, but now it's back to the good old days with Time for Some Campaignin', a jolly tune to set the stage for the Obama/McCain face-off in the weeks to come.

The new video is similar to This Land in that it opts not to spoof either candidate more than the other, instead focusing on the larger campaigning process. It's hard not to laugh at the goofy visuals and smartly composed lyrics (especially those involving the Clintons), but it seems to me that the Spiridellis' work will never attain the degree of insight offered by the satire on The Daily Show (or The New Yorker, for that matter) because of this resolutely non-partisan approach. What do you think?

Yes, we're heading back to the Cuban Missile Crisis for a new film. However, the spotlight won't be focusing on the Fidel Castro-led island just south of Key West. Variety reports that Fox 2000 has grabbed the screen rights to Michael Dobbs' book called One Minute to Midnight: Kennedy, Krushchev, and Castro on the Brink of Nuclear War. Changing things up a bit, so as to not tread on already familiar cinema territory, the film will focus on an incident that occurred at the same time -- up north in Alaska.

While all the main players were tensely trying to avoid a nuclear war, "a U-2 pilot took off from Alaska, lost his bearings, and ventured inside the Soviet Union." Talk about a really dumb mistake. So the guy figures out that he's gone off-course, his plane is about to run out of gas, Soviet planes are waiting to take him down, and he's got to try to get back to safe land. Oh, and just in case that wasn't enough fear for the poor dude, he'd previously spent 600 days as a POW in Korea.

It'll be a while before this hits the screen, but for now, you can go out and read the book for yourself -- this is actually one of those texts that got picked up after its release.

When Josh Brolin takes a night off from playing a young George W. Bush to get arrested in a bar, the jokes practically write themselves. (Method acting, anyone?) That's what happened in the wee hours of Saturday morning in Shreveport, La., as Brolin, co-star Jeffrey Wright (who plays Colin Powell), and five crew members from Oliver Stone's biopic W. were arrested at the Stray Cat bar and taken down to the big house.

The Associated Press's account is sparse, so we turn to Shreveport's KSLA News 12 for more details (and thanks to Jeffrey Wells for the link). Seems it was closin' time at the ol' Stray Cat, and Brolin and his pals wouldn't leave, despite bein' asked twice, and they were bein' rowdy. So the bar staff called the police, who arrived just after 2 a.m., whereupon there was a bit of a scuffle, and a fellow named Eric Felland got arresting for remaining in the bar, public drunkenness, and resisting arrest. Brolin, Wright, and the other W.-affiliated folks reportedly interfered with the arrest, so they got arrested for that misdemeanor.

The Shreveport Times reports that Brolin posted a $334 bond and was free to go. Wright and the other four arrest-resisters had the same price on their heads. The guy who was being arrested in the first place, Felland, who is a lighting technician on the film, had a $752 bond. It's unclear from the early news reports how long it took everyone to get out of the clink, but one assumes they didn't have to fester in jail too long. I like what one of the commenters at Hollywood Elsewhere said, that it would have been great if James Cromwell, who plays George Bush Sr., had had to come bail everyone out.

When it comes to Hollywood movies, Chinese censors have always been a little strict. Case in point: The State Administration for Radio, Film and Television tells Variety that the upcoming release of The Mummy 3 Tomb of the Dragon Emperor is still pending until Universal makes unspecified changes to the flick. The censors didn't give any details about what would have to be cut from the film, but speculation has it that the source of the problem is "usually themes involving ghosts are taboo in China".

Emperor sets the new and improved O'Connell family (Brendan Fraser, Luke Ford, and Maria Bello) smack dab in the middle of another adventure battling a tyrannical emperor (Jet Li) and his legion of undead armies. Universal already made some concessions to the Chinese government in exchange for permission to shoot on location. According to Variety Universal was urged to make the film, "less political and more focused on fantasy than real history" -- Less political? Now that's a word I would have never associated with the Mummy franchise.

A flack for Universal has already released a statement saying, "Universal does not anticipate any obstacles to clearing the film for China and looks forward to releasing "The Mummy: Tomb of The Dragon Emperor" in the country where it was set and shot." Translation: We just spent $145 million bucks on this movie, and we want some of those Chinese box-office dollars. Emperor is just the latest Hollywood production to get a rough deal from Chinese censors, but at least they are in good company. On the upside, I guess the Chinese will never know what they're missing.

The Mummy 3 Tomb of the Dragon Emperor opens on August 1st, 2008.

Call it performance art, savage prank behavior or audacious social satire. Call it whatever you want, but there's no question Sacha Baron Cohen is at it again. As Erik reported back in March, the Borat star began surfacing as his Bruno alter-ego in a variety of absurd situations likely intended for the movie starring the effeminate European character. Wearing chains at a Kansas church? Check. Weirding out Ben Affleck? Check. Airport dancing? Yep. Now, bizarre reports of a cage match in Arkansas, where attendees paid for admission expecting to watch a fight and instead witnessed two men get naked and lock lips, suggests Cohen is still at it, more than three months down the line. Not only that, but he appears to have pulled the stunt twice: First on June 5 at the Four States Fair Grounds in Texarkana, then again at Fort Smith's convention center, where a character named "Straight Dave" apparently selected a planted audience member to challenge him.

Whether or not you agree with Cohen's brash style -- he claims to take inspiration from Michael Moore's stunts --
the actor definitely constructs his gags with very specific ideas in mind. Borat took a stab at American stereotypes of foreign cultures, but Bruno looks like it's geared more towards attacking homophobia -- specifically as it manifests in middle America. However, it's hard to say whether or not such excessive spectacles will manage to correct misinformed perspectives or reinforce them.

Could a cute children's movie about an adorable furry animal ignite change in a country noted for its official cultural restraints? Kung Fu Panda has enjoyed robust returns at the Chinese box office, which prompted a top cultural advisor to bemoan: "Why didn't we make such a film?"

As reported by Variety, Wu Jiang, a key member of the CPPCC Standing Committee, noted: "The film's protagonist is China's national treasure and all the elements are Chinese." The committee recommended that the government "relax its control in order to accelerate the reform and opening up of the cultural market and to enhance China's cultural influence in the world."

Though China produces hundreds of movies every year, most have been described as "stodgy propaganda pics" -- check out a recent post by Grady Hendrix at Kaiju Shakedown to see a few examples -- and only a select few achieve visibility at international festivals. Director Lu Chuan (Kekexili: Mountain Patrol and the upcoming Nanking Nanking) says the problem lies with the government itself, which stifles the creativity of Chinese filmmakers. He wrote in China Daily that he tried to make an animated film for next month's Olympics in Beijing but finally gave up: "I kept receiving directions and orders on how the movie should be like. The fun and joy from doing something interesting left us, together with our imagination and creativity."

Will the Chinese government be making any changes soon? Don't count on it. Sun Zhonghuan, another member of the CPPCC Standing Committee, says that Hollywoood studios have another big advantage: Kung Fu Panda's $130 million budget is nearly 100 times the cost for an average Chinese film. "We might have the ideas," he said, "but we lack the structure to realize them."

From global warming to toasting a presidential candidate? Davis Guggenheim, who won an Academy Award for his documentary An Inconvenient Truth, is reportedly working on a film about Senator Barack Obama that will be shown during the Democratic National Convention in late August, according to The Huffington Post.

Guggenheim was seen accompanying Obama during his visit to Butte, Montana, on Friday afternoon. Guggenheim said only that he was traveling with his son and doing some interviews, though a tipster told a reporter the film shoot was on behalf of the Democratic National Committee and the convention. An Obama staff member later told the New York Post that "elements of what [Guggenheim] is shooting may be used," but declined to be more specific.

The Huff Post article says that Davis Guggenheim's father, Charles Guggenheim, chronicled John F. Kennedy, though IMDb shows that Charles Guggenheim won an Academy Award for Robert Kennedy: Remembered, a live action short subject that was compiled from footage that Guggenheim had shot over the years.

An Inconvenient Truth didn't move me as it did many others, but it would be interesting to see if Guggenheim could make something that would liven up the convention broadcast. No word on whether Senator John McCain has recruited any Academy Award-winning documentary filmmakers, though Variety described him as "a major movie freak" back in January 2007; he picked John Frankenheimer's The Manchurian Candidate as his favorite political film.